![]() ![]() The hall camera will need some experimentation as it shows the children’s story segment. Similarly, the lectern camera will be house left of center slightly, point the lectern, and track the presenter to the chalice or other spots to house left. The pulpit camera can be house right of center slightly as it will point the pulpit and track the right side of the stage. This camera is fixed and takes in the stage from wing to win. Mount the full stage camera on center line on the balcony deck skirt. Congregation and children’s bit on camera 4 up stage, trainableįull stage is easy.Maybe 4 cameras plus media playing would provide content for service with sound coming from the Front of House mixer via an Aux Mix that is a copy of FOH. Perhaps the most challenging thing we do from a photographic viewpoint is candle light service. We also project video and overlay lyrics on stills or video. For most, stage lighting is used and the house lights are up somewhat. The Worship Committee and our hall host a variety of programs from Sunday worship to concerts to panels and speaker’s programs. So we feel we need to continue to offer online services but would like to offer something more akin to our in-house experience. And CDC has yet to sort out what do do with children. But we need to service those still being vaccinated and those who elect not to be. We’d like to reopen to accommodate vaccinated congregants. As a result, we have come to see live streaming as both a recruitment measure and a congregation service measure. We managed to continue to attract new members. Those who like a sermon or other service element would also purchase a recording.ĭuring the pandemic, we were making our Zoom meeting available to visitors via our website. Those who missed a service would borrow or purchase a recording. This meant we had to record, master, and reproduce service recordings. In the past, we have distributed CDs of the service. But good stuff is easier to learn and operate reliably. As with all systems of this type, the people investment is larger and more valuable than the stuff they are using. In a future blog, I hope to talk about our lessons learned cobbling together a video production workflow. For example, Black Magic Design has optimized many of its products for volunteer use in house of worship and similar environments, ProPresenter 7 supports streaming and capture, and services such as Resi provide robust content delivery to identified endpoints. The pandemic has spurred investment in new products and services that didn’t exist a year ago. Streaming hardware and services are in rapid flux. This system has yet to be built and operated so this design should be considered purely notional. In this blog, I will examine one possible architecture for live production of worship video for recording and streaming. Once we start streaming copyright music and spoken word to an open congregation or including it in podcasts, we need to obtain a rights license, keep records or what we used, and report usage to our license grantor. As a house of worship, use of copyright material in our hall during service is provided explicitly in the law. What is involved?įor one thing, Copyright. With the easing of pandemic restrictions approaching, the congregation desires to live stream the service in our hall. During COVID-19 pandemic restrictions, my church used Zoom to stream worship services for the congregation. ![]()
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